25x25cm oil on canvas panel
We had some excitement here in Namur: it snowed 15cm this week -- locals say it's been 13 years since they saw a snowfall like this. So, I tried my hand at painting snow.
oil on 25x25cm canvas panel
Paintings and drawings by Belgium-based artist, Catherine Hale.
We had some excitement here in Namur: it snowed 15cm this week -- locals say it's been 13 years since they saw a snowfall like this. So, I tried my hand at painting snow.
"Place à l'art le 20 aout 2023"
13x18cm, oil on canvas panel
I think that when you paint small from life in a couple hours max, you can call it an "oil sketch". These two were painted en plein air during the Place à l'Art event in Uccle in August. It took place in the park because the weather was good. I got two tables, a few chairs and a spot in the shade -- what more can you ask!?
"Lambertmontmartre at the KMSKA"
20x25cm oil on canvas
Our Belgian heatwave made the day nearly unbearable but I wanted to take advantage of the Lambertmontmartre event in front of the Antwerp Fine Arts Museum to do some plein air painting. If you arrive early, you can get a spot with some shade under the trees.
https://lambermontmartre.be/info/
"Bloemen"
15x15cm oil on canvas panel
(private collection, Brussels)
Then in Uccle on 2 July, I set up a stand near the flower shop and did a small painting. The flow of people going to the "Marché Bio" brought visitors to our "Place à l'art" exhibit.
After a very rainy spring, the sun finally came out in Belgium so I brought my paints to the Lambertmontmartre outdoor art market on Sunday. The event was exceptionally held on the Groenplaats, where there is a nice view of the Cathedral.
There were crowds of passers-by given the sunny three-day weekend but the sun and wind was challenging for exhibitors without parasols and weights. What a pleasant surprise when my still-wet oil painting sold right there on the spot!
Here's an oil sketch showing some of the atmosphere on the square:
"Lambertmontmartre 2023"
15x15cm, oil on canvas panel
Earlier this month, I attended an urban sketching event at the MAS museum. Here's the quick sketch I painted between rain showers -- the pink billboard advertises a nearby seafood restaurant:
"Vis-aan-A"
15x15cm, oil on canvas panel
"Time for the Hollyhocks"
25x25cm oil on canvas panel
Last summer, I continued my project of painting all our garden flowers. I'm not yet bored of sitting in the sun, observing and painting the variety of colors and blooms: budding, flowering, fading, dried out, gone to seed... At the same time, I'm determined to use all the small canvases I've accumulated. I've also been avoiding solvents so these are painted with Rosa Gallery Oil Paints and Linseed oil ("raw" for cleaning the brushes and "purified" as a medium).
Below is my 4x4 inch collection:
Sometimes it's not easy identifying the flowers. Geraniums are more confusing than I thought. In fact many of them are actually pelargoniums. Here's where I found the above pink-orange blooms: GardenTags
I've been trying various systems for painting on location. This happens every year when the warm weather returns. Tiny 15x15cm panels mean I can paint quickly without having to
refill my paints. They fit perfectly into my small paintbox which is now attached to a tripod. Then I have a cardboard box that holds the wet panel: I stick it to the back of the box with putty, close the box, and put it in my bike bag.
While small panels are easy to transport, they are not always easy to paint. The above is a bit bigger but still fits into my small wooden paintbox+tripod. It's equivalent to 8x10 inches for which I have a wet canvas carrier.
Another try with the 15x15cm panel but I need to go back to this spot as I didn't get very far before the wind picked up.
« Galgenweel »
20x25cm, oil on canvas
Finally, on the lake yesterday I used a bigger box and held it on my lap. The sky was amazing, the weather warm, and from this spot I had a view of the "Royal Yacht Club Belgie". It’s a little more challenging to balance a box while painting but then I don’t need to carry the tripod. Also I’ve got all my paints in the box. I like using Rosa oil paints for location painting because I've got them in small 20ml tubes. But next time I´d like to take advantage of their thicker consistency to paint in a looser, sketchier style — maybe for a cityscape with crowds of people…
"Sint Mariaburg"
13x18cm, oil on canvas
Today from the bike path I could see the church in Sint Mariaburg. It was a beautiful sunny morning so I found a spot in the shade on the other side of the road. Unfortunately, passing trucks were a nuisance. One even parked next to me for ten minutes with the motor running.
"Oude Landen"
15x15cm, oil on canvas panel
At the beginning of September in the Oude Landen I only had cyclists, joggers and dog walkers passing by. Almost as good as painting in the garden. I was a bit nervous about the free-ranging Galloway cattle but they didn't turn up.
"The MAS"
15x15cm, oil on canvas panel
(Private collection, Antwerp)
The 28/8/21 group event at the MAS in Antwerp was a good place to test my small pochade box in a USK setting. I found a bench in the shade. It was a little windy and people kept stopping to look at the water but I managed to get something done. When I realized they were looking at a bunch of flower bouquets (a spot where someone may have recently died), I quickly finished up. That probably helped me decide to suggest all those boats without going into too much detail.
" Lambermontmartre"
15x15cm, oil on canvas panel
At the August Lambermontmartre art market it kept drizzling. In fact perfect weather conditions for plein air painting are quite rare here.
Finally, I had to try painting the iconic Port Authority building. There's a fairly comfortable spot by the water. I had a hat for the sun, a stool and was holding the box on my lap. It might be better to find a hands free system such as a photo stand attached to my box.
"Begonias"
oil on 20x20cm canvas panel
(Private collection, Brussels)
"Impatiens"
oil on 20x20cm canvas panel
(Private collection, Brussels)
The weather got better again in Belgium after all that rain and catastrophic flooding.
The
flowers in the garden are so vibrant when the sun comes out. I did two more
studies, observing the budding, blooming, wilting -- and trying to
capture each flower's uniqueness.
"Petunias in a yellow pot"
20x20cm, oil on canvas panel
I'm always trying to cut down on the number of paint tubes I carry around. The result is that I have colors in my closet that I don't remember how to use. Time for some research. I began by reading about mixing greens and how it was important to mix warm yellows with warm blues or cool yellows with cool blues for the best results (link). I made a big chart of mixtures and discovered that Phthalo blue was actually quite useful. I'll definitely need to experiment further with that. Meanwhile I'm also taking a new look at my reds.
The petunias were a fun place to start. They pop out in the sun, I can't come close with my standard palette. Transparency seems to work: “permanent magenta”, "permanent mauve", "rose madder", with the white of the canvas showing through. I may try this again like Carol Marine suggested on Daily Paintworks: The Sunflower Challenge